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Lapize: Now There Was An Ace, Jean Bobet (2010)
Mousehold Press 9781874739555 Paperback 180pp £12.95
A touching portrait of one of cycle racings pre-WW1 stars

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Octave Lapize is one of those names, like Egg, Christophe and Huret
that lived on beyond their Edwardian sporting moment because of the components
to which they lent their names. That Lapize, one of the lesser known Tour
winners, should merit a modern biography is a little surprising. But,
as Bobet makes clear from the outset, his fascination with Lapize is very
personal.
It is a compelling, and ultimately tragic story. Lapize was arguably
the dominant rider, on road and track in the years immediately before
the First World War. In 1914, he joined the nascent French airforce, served
with bravery and distinction and in 1917, at the age of 30, lost an air
duel with two Germany pilots.
Bobet has done a professional job of assembling the facts of his life
from contemporary records. From these emerge a fascinating glimpse of
the heady, sporting world of the 1910s when public enthusiasm for cycling
(and other spectator sports) was almost boundless.
Many events that endure to this day - the Tour, the Classics and some
forms of track racing - were in an embryonic phase. Others have changed
beyond recognition. Paris-Brest-Paris was one of a clutch of ultra-long
races, that have now disappeared from the racing callander, and the Tour's
General Classification was still a competition to collect points, rather
than one of accumulated time, for example.
Lapize was not only a gifted rider - he held the French 100k championship
three years running, won Paris-Roubaix three years running and won the
Tour in 1910. He was also a wily businessman, running a successful cycle
shop in central Paris and successfully licensing his name to a bicycle
manufacturer.
He also had a good line in denunciations. It was Lapize, who after the
Tour's first ascent of the Tourmalet responded to a simple enquiry from
a race organisers thus: "You're murders. That's what wrong. You're
criminals".
The picture that Bobet paints of the period and of the man is engaging.
It does not quite satisfy as it might, however. There is little in the
way of contextualisation and occasionally the author's respect for Lapize
and his family's feelings is maddening. . Bobet's research in the columns
of old newspapers is exemplary, but with little else to leaven his account,
at times it seems rather flat.
Nevertheless, it serves as a poignant reminder of both the scale of
the rupture of the Great War, and the surprising ways in which that distant,
ante-bellum period shaped the following century.
PS July 10
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